Alexis Amann
Double Ophelia installation at The Red Poppy Art House (with Marisa Aragona) Double Ophelia installation at Rollup Gallery (room view) Double Ophelia installation at Rollup Gallery Double Ophelia (after Millais) Double Ophelia detail (sea monster Ophelia with Corinthian eyes and migraine arc) Double Ophelia detail (Corinthian eye) Double Ophelia detail (flowers) Double Ophelia detail (after Millais) Double Ophelia (detail) Double Ophelia detail (women and elephants never forget, nor does Dorothy Parker) Hedgewitch and Baby Beluga Hedgewitch and Baby Beluga detail Bearded Lady (lost at sea) Boob Monsters Girl and Femme Demon Eye Demon White Flounder (pink hearted) If (Sea Anemones Love Ed Ruscha) Anemone Dentata Pink Eyes Flounder Queer Fish (pinky) Yellow Flounder (mouthy) Awkward Flounder Gold Tooth Flounder Queer Fish (yellow) Love Flounders Stand In the Way (Flounder) A Girl and Her Demon Becky's Demon Femme Demon Wood Sketch for Don't Give Up the Ship project Don't Give Up the Ship, SFAC Art in Storefronts installation project on Market Street, San Francisco. Collaboration with Jonathan Burstein   Mermaid detail from Don't Give Up the Ship Mermaid detail with sea level rise, RIP Chinook, CA SB375 tattoo and drowning hand from Don't Give Up the Ship Loose Lips Sink Ships detail, from Don't Give Up the Ship Kelp Ladies detail from Don't Give Up the Ship Kelp Kewpies detail from Don't Give Up the Ship Wave detail from Don't Give Up the Ship SF Barnacle and waves detail (collaboration with Jonathan Burstein) from Don't Give Up the Ship Wave detail from Don't Give Up the Ship, 2009 Lost Highway is Married to the Sea (installation view) Lost Highway is Married to the Sea (detail) Lost Highway is Married to the Sea (detail) Lost Highway is Married to the Sea (detail) Lost Highway is Married to the Sea (detail of desert) Lost Highway (detail of the Small Olympian Bear Express) Lost Highway is Married to the Sea (detail of pufferfish and girl) Lost Highway (detail with Buffalo Jump, apologies to David Wojnarowicz) Lost Highway is Married to the Sea (detail of albino ratfish and hearts full of water) Azazel and the Bearded Ladies (installation view) Azazel and the Bearded Ladies (detail) Azazel and the Bearded Ladies (detail) Falling For Salmon Ghosts (installation view) Falling for Salmon Ghosts (detail) Falling for Salmon Ghosts (detail) Falling for Salmon Ghosts (detail) Girl Loves Narwhal The Center Cannot Hold Chinook Center Cannot Hold Chinook (detail) Flounder and Peg-Leg Sea Lion Pieta with Dead Mermaid Sea Lion Pieta The Same Skirt Same Skirt (detail) Girl and Baba Yaga's House are Still Together Girls Make the World Girl and Flounder Communicate Girl Loves Piranha Flower (Hand) Girl Loves Piranha Flower (Snails) Girl Loves Piranha Flower (Rabbit Couple) Girl Loves Piranha Flower (Ocean) Girl Loves Piranha Flower (Quail Elbow)  Girl Loves Piranha Flower (Quail Elbow detail) All the Ships at Sea Voyage of the R'ship, Squid and Whale Voyage of the R'Ship, Lady Vomitous Harpies Hang out with the Aten Harpy Talks to a Headless Bird Sleep With the Fishes Ribs Don't Lie Penelope (installation view) Penelope Penelope (top detail) Penelope (top detail) Penelope (detail middle) Penelope (detail of bottom) Penelope (detail bottom right) Penelope (Kraken detail) Kraken Loves Baba Yaga's House Kraken Loves Baba Yaga's House (detail) Kraken Loves Baba Yaga's House (detail) Kraken Loves Baba Yaga's House (detail) Kraken Loves Baba Yaga's House (detail) Gayly It Lived and Gallantly It Died Gayly It Lived and Gallantly It Died (zombie rabbit detail) Gayly It Lived and Gallantly It Died (Dearest Dead, Darling Dead detail) Surrogate Surrogate (detail of running house) Surrogate (houses detail) Land of the Dead Resume
Featured in the Aorta Magazine blog

Interview about my work with Art Larking


Meanwhile. . .

My paintings draw on characters and stories from literature, pop culture, mythology, natural history, and personal narrative to create new stories, worlds and meaning. Old familiar characters meet and new ones are created as stories are reworked and continued. There are no new stories, just the old ones retold. Through storytelling, we create, reflect, and change our own narratives.

In my most recent body of work I have been exploring monsters, women, and demons. In this work, the monsters are not the elder god who waits sleeping, not the terrifying thing in the dark, but the heroes. Their bodies reflect their enormous needs, wants, desires, and experiences. They exist where mortality and physical suffering meet magic and possibility. These monsters are a connection to the most beautiful parts of stories, and the most beautiful parts of ourselves – those shaped by the experience of living through the most horrible and wonderful of times.

In this world the monsters are heroic hags who meet shining carnivorous sea monsters and fish-headed women who carry outer space in their heads. The forever tragic and beautiful Ophelia, doubly blinded by death and love, doubles herself into a vengeful tooth-eyed sea monster rising from the water babbling the pain of a migraine aura. Bearded ladies spend time with a femme demon covered in brightly made-up eyes and lipsticked lips. There are banshees hilarious with their serious amounts of hair and too many eyes (that’s how they see inside and outside of you, and can predict your death), hedgewitches who know all the spells for finding and losing love and foot fungus, and blonde monsters laughing and quoting Dorothy Parker from the pages in the water.

Alexis Amann
San Francisco
September 2011
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